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Grayscale if I Ever See You Again

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  1. Photoshop User Guide
  2. Introduction to Photoshop
    1. Dream it. Arrive.
    2. What's new in Photoshop
    3. Edit your first photo
    4. Create documents
    5. Photoshop | Common Questions
    6. Photoshop organisation requirements
    7. Migrate presets, actions, and settings
    8. Go to know Photoshop
  3. Photoshop and Adobe services
    1. Work with Illustrator artwork in Photoshop
    2. Substance 3D Materials for Photoshop
    3. Photoshop and Adobe Stock
    4. Use the Capture in-app extension in Photoshop
    5. Creative Cloud Libraries
    6. Creative Cloud Libraries in Photoshop
    7. Use the Touch Bar with Photoshop
    8. Grid and guides
    9. Creating deportment
    10. Undo and history
  4. Photoshop on the iPad
    1. Photoshop on the iPad | Mutual questions
    2. Get to know the workspace
    3. System requirements | Photoshop on the iPad
    4. Create, open up, and consign documents
    5. Add together photos
    6. Work with layers
    7. Draw and paint with brushes
    8. Make selections and add masks
    9. Retouch your composites
    10. Work with adjustment layers
    11. Adapt the tonality of your composite with Curves
    12. Use transform operations
    13. Ingather and rotate your composites
    14. Rotate, pan, zoom, and reset the canvas
    15. Work with Blazon layers
    16. Work with Photoshop and Lightroom
    17. Go missing fonts in Photoshop on the iPad
    18. Japanese Text in Photoshop on the iPad
    19. Manage app settings
    20. Touch shortcuts and gestures
    21. Keyboard shortcuts
    22. Edit your epitome size
    23. Livestream as you create in Photoshop on the iPad
    24. Correct imperfections with the Healing Brush
    25. Create brushes in Capture and use them in Photoshop
    26. Work with Camera Raw files
    27. Create and work with Smart Objects
    28. Adjust exposure in your images with Dodge and Burn down
  5. Photoshop on the web beta
    1. Common questions | Photoshop on the spider web beta
    2. Introduction to the workspace
    3. Organization requirements | Photoshop on the web beta
    4. Keyboard shortcuts | Photoshop on the web beta
    5. Supported file types | Photoshop on the web beta
    6. Open up and work with cloud documents
    7. Interact with stakeholders
    8. Apply limited edits to your cloud documents
  6. Deject documents
    1. Photoshop cloud documents | Mutual questions
    2. Photoshop deject documents | Workflow questions
    3. Manage and work with cloud documents in Photoshop
    4. Upgrade deject storage for Photoshop
    5. Unable to create or salvage a cloud document
    6. Solve Photoshop cloud document errors
    7. Collect deject document sync logs
    8. Share access and edit your deject documents
    9. Share files and comment in-app
  7. Workspace
    1. Workspace basics
    2. Learn faster with the Photoshop Observe Panel
    3. Create documents
    4. Use the Touch Bar with Photoshop
    5. Tool galleries
    6. Performance preferences
    7. Use tools
    8. Touch gestures
    9. Affect capabilities and customizable workspaces
    10. Applied science previews
    11. Metadata and notes
    12. Default keyboard shortcuts
    13. Bear upon capabilities and customizable workspaces
    14. Identify Photoshop images in other applications
    15. Preferences
    16. Default keyboard shortcuts
    17. Rulers
    18. Show or hide non-printing Extras
    19. Specify columns for an image
    20. Undo and history
    21. Panels and menus
    22. Place files
    23. Position elements with snapping
    24. Position with the Ruler tool
    25. Presets
    26. Customize keyboard shortcuts
    27. Grid and guides
  8. Web, screen, and app design
    1. Photoshop for design
    2. Artboards
    3. Device Preview
    4. Copy CSS from layers
    5. Slice web pages
    6. HTML options for slices
    7. Modify slice layout
    8. Work with web graphics
    9. Create spider web photograph galleries
  9. Image and color basics
    1. How to resize images
    2. Work with raster and vector images
    3. Image size and resolution
    4. Acquire images from cameras and scanners
    5. Create, open, and import images
    6. View images
    7. Invalid JPEG Marker error | Opening images
    8. Viewing multiple images
    9. Customize color pickers and swatches
    10. Loftier dynamic range images
    11. Match colors in your epitome
    12. Catechumen betwixt colour modes
    13. Color modes
    14. Erase parts of an epitome
    15. Blending modes
    16. Choose colors
    17. Customize indexed colour tables
    18. Epitome information
    19. Distort filters are unavailable
    20. Almost colour
    21. Color and monochrome adjustments using channels
    22. Choose colors in the Color and Swatches panels
    23. Sample
    24. Color way or Prototype mode
    25. Color cast
    26. Add a conditional style change to an activeness
    27. Add together swatches from HTML CSS and SVG
    28. Scrap depth and preferences
  10. Layers
    1. Layer basics
    2. Nondestructive editing
    3. Create and manage layers and groups
    4. Select, grouping, and link layers
    5. Place images into frames
    6. Layer opacity and blending
    7. Mask layers
    8. Apply Smart Filters
    9. Layer comps
    10. Move, stack, and lock layers
    11. Mask layers with vector masks
    12. Manage layers and groups
    13. Layer effects and styles
    14. Edit layer masks
    15. Excerpt assets
    16. Reveal layers with clipping masks
    17. Generate epitome assets from layers
    18. Work with Smart Objects
    19. Blending modes
    20. Combine multiple images into a grouping portrait
    21. Combine images with Auto-Blend Layers
    22. Align and distribute layers
    23. Copy CSS from layers
    24. Load selections from a layer or layer mask's boundaries
    25. Knockout to reveal content from other layers
    26. Layer
    27. Flattening
    28. Composite
    29. Background
  11. Selections
    1. Select and Mask workspace
    2. Brand quick selections
    3. Get started with selections
    4. Select with the marquee tools
    5. Select with the lasso tools
    6. Select a color range in an image
    7. Suit pixel selections
    8. Catechumen betwixt paths and selection borders
    9. Channel basics
    10. Motion, copy, and delete selected pixels
    11. Create a temporary quick mask
    12. Save selections and alpha channel masks
    13. Select the prototype areas in focus
    14. Duplicate, split, and merge channels
    15. Aqueduct calculations
    16. Selection
    17. Bounding box
  12. Prototype adjustments
    1. Perspective warp
    2. Reduce camera milk shake blurring
    3. Healing brush examples
    4. Export colour lookup tables
    5. Conform epitome sharpness and blur
    6. Understand colour adjustments
    7. Apply a Brightness/Contrast adjustment
    8. Adjust shadow and highlight detail
    9. Levels adjustment
    10. Adjust hue and saturation
    11. Conform vibrance
    12. Arrange color saturation in image areas
    13. Make quick tonal adjustments
    14. Apply special colour effects to images
    15. Raise your image with colour balance adjustments
    16. Loftier dynamic range images
    17. View histograms and pixel values
    18. Match colors in your image
    19. How to crop and straighten photos
    20. Catechumen a colour image to black and white
    21. Adjustment and fill layers
    22. Curves adjustment
    23. Blending modes
    24. Target images for press
    25. Accommodate color and tone with Levels and Curves eyedroppers
    26. Arrange HDR exposure and toning
    27. Filter
    28. Mistiness
    29. Contrivance or burn image areas
    30. Make selective colour adjustments
    31. Supercede object colors
  13. Adobe Camera Raw
    1. Camera Raw system requirements
    2. What'south new in Camera Raw
    3. Introduction to Camera Raw
    4. Create panoramas
    5. Supported lenses
    6. Vignette, grain, and dehaze effects in Camera Raw
    7. Default keyboard shortcuts
    8. Automatic perspective correction in Camera Raw
    9. How to make not-destructive edits in Camera Raw
    10. Radial Filter in Camera Raw
    11. Manage Camera Raw settings
    12. Open, procedure, and salvage images in Camera Raw
    13. Repair images with the Enhanced Spot Removal tool in Camera Raw
    14. Rotate, crop, and adapt images
    15. Adjust color rendering in Photographic camera Raw
    16. Feature summary | Adobe Camera Raw | 2018 releases
    17. New features summary
    18. Process versions in Photographic camera Raw
    19. Make local adjustments in Camera Raw
  14. Epitome repair and restoration
    1. Remove objects from your photos with Content-Aware Fill
    2. Content-Enlightened Patch and Move
    3. Retouch and repair photos
    4. Right prototype distortion and racket
    5. Basic troubleshooting steps to fix near issues
  15. Image transformations
    1. Transform objects
    2. Suit ingather, rotation, and canvas size
    3. How to crop and straighten photos
    4. Create and edit panoramic images
    5. Warp images, shapes, and paths
    6. Vanishing Point
    7. Use the Liquify filter
    8. Content-aware scaling
    9. Transform images, shapes, and paths
    10. Warp
    11. Transform
    12. Panorama
  16. Drawing and painting
    1. Paint symmetrical patterns
    2. Depict rectangles and modify stroke options
    3. Virtually drawing
    4. Depict and edit shapes
    5. Painting tools
    6. Create and alter brushes
    7. Blending modes
    8. Add color to paths
    9. Edit paths
    10. Pigment with the Mixer Brush
    11. Castor presets
    12. Gradients
    13. Gradient interpolation
    14. Fill and stroke selections, layers, and paths
    15. Describe with the Pen tools
    16. Create patterns
    17. Generate a blueprint using the Pattern Maker
    18. Manage paths
    19. Manage blueprint libraries and presets
    20. Depict or paint with a graphics tablet
    21. Create textured brushes
    22. Add dynamic elements to brushes
    23. Gradient
    24. Paint stylized strokes with the Fine art History Brush
    25. Pigment with a blueprint
    26. Sync presets on multiple devices
  17. Text
    1. Piece of work with OpenType SVG fonts
    2. Format characters
    3. Format paragraphs
    4. How to create type effects
    5. Edit text
    6. Line and graphic symbol spacing
    7. Arabic and Hebrew type
    8. Fonts
    9. Troubleshoot fonts
    10. Asian type
    11. Create type
    12. Text Engine mistake using Blazon tool in Photoshop | Windows viii
    13. World-Ready composer for Asian Scripts
    14. How to add and edit the text in Photoshop
  18. Video and animation
    1. Video editing in Photoshop
    2. Edit video and animation layers
    3. Video and animation overview
    4. Preview video and animations
    5. Paint frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Artistic Cloud 3D Animation (Preview)
    9. Create timeline animations
    10. Create images for video
  19. Filters and effects
    1. Utilize the Liquify filter
    2. Apply the Blur Gallery
    3. Filter basics
    4. Filter effects reference
    5. Add together Lighting Effects
    6. Use the Adaptive Wide Bending filter
    7. Apply the Oil Paint filter
    8. Layer effects and styles
    9. Utilise specific filters
    10. Smudge image areas
  20. Saving and exporting
    1. Save your files in Photoshop
    2. Consign your files in Photoshop
    3. Supported file formats
    4. Save files in graphics formats
    5. Move designs between Photoshop and Illustrator
    6. Save and export video and animations
    7. Save PDF files
    8. Digimarc copyright protection
  21. Press
    1. Print 3D objects
    2. Print from Photoshop
    3. Impress with colour management
    4. Contact Sheets and PDF Presentations
    5. Impress photos in a picture packet layout
    6. Print spot colors
    7. Duotones
    8. Print images to a commercial printing printing
    9. Improve color prints from Photoshop
    10. Troubleshoot printing issues | Photoshop
  22. Automation
    1. Creating actions
    2. Create data-driven graphics
    3. Scripting
    4. Procedure a batch of files
    5. Play and manage actions
    6. Add conditional actions
    7. About actions and the Actions panel
    8. Record tools in deportment
    9. Add a conditional mode change to an action
    10. Photoshop UI toolkit for plug-ins and scripts
  23. Colour Management
    1. Understanding color direction
    2. Keeping colors consistent
    3. Color settings
    4. Work with color profiles
    5. Color-managing documents for online viewing
    6. Color-managing documents when press
    7. Color-managing imported images
    8. Proofing colors
  24. Content authenticity
    1. Larn near content credentials
    2. Identity and provenance for NFTs
    3. Connect accounts for creative attribution
  25. 3D and technical imaging
    1. Photoshop 3D | Common questions around discontinued 3D features
    2. Creative Cloud 3D Animation (Preview)
    3. Impress 3D objects
    4. 3D painting
    5. 3D panel enhancements | Photoshop
    6. Essential 3D concepts and tools
    7. 3D rendering and saving
    8. Create 3D objects and animations
    9. Image stacks
    10. 3D workflow
    11. Measurement
    12. DICOM files
    13. Photoshop and MATLAB
    14. Count objects in an epitome
    15. Combine and catechumen 3D objects
    16. 3D texture editing
    17. Adjust HDR exposure and toning
    18. 3D console settings

You can hands save your Photoshop epitome files to a wide array of popular epitome formats.

Save in TIFF format

TIFF is a flexible raster (bitmap) image format supported past virtually all paint, image-editing, and page-layout applications.

  1. Cull File > Save As, choose TIFF from the Format carte, and click Save.

  2. In the TIFF Options dialog box, select the options you want, and click OK.

    Bit depth (32‑chip only)

    Specifies the bit depth (16, 24, or 32‑bit) of the saved image.

    Paradigm Compression

    Specifies a method for compressing the composite image data. If you're saving a 32‑bit TIFF file, you tin specify that the file be saved with predictor pinch, merely you lot don't have the option to utilise JPEG compression. Predictor pinch offers improved pinch past rearranging floating point values, and works with both LZW and ZIP compression.

    JPEG compression is bachelor only for opaque RGB and grayscale images that are 8-bits-per-aqueduct and no more than thirty,000 pixels broad or high.

    Pixel Order

    Writes the TIFF file with the channels data interleaved or organized by plane. Previously, Photoshop ever wrote TIFF files with the aqueduct lodge interleaved. Theoretically, the Planar order file tin can exist read and written faster, and offers a little meliorate compression. Both aqueduct orders are backward compatible with earlier versions of Photoshop.

    Byte Lodge

    Selects the platform on which the file tin can be read. This choice is useful when you don't know what program the file may be opened in. Photoshop and most recent applications can read files using either IBM PC or Macintosh byte guild.

    Save Image Pyramid

    Preserves multiresolution data. Photoshop does not provide options for opening multiresolution files; the image opens at the highest resolution inside the file. Nonetheless, Adobe InDesign and some prototype servers provide support for opening multiresolution formats.

    Save Transparency

    Preserves transparency every bit an additional alpha channel when the file is opened in another application. Transparency is always preserved when the file is reopened in Photoshop.

    Layer Compression

    Specifies a method for compressing information for pixels in layers (as opposed to blended data). Many applications cannot read layer data and skip over it when opening a TIFF file. Photoshop, nevertheless, tin read layer data in TIFF files. Although files that include layer information are larger than those that don't, saving layer information eliminates the need to salvage and manage a separate PSD file to hold the layer information. Choose Discard Layers And Save A Copy if you want to flatten the image.

    To have Photoshop prompt yous before saving an image with multiple layers, select Enquire Earlier Saving Layered TIFF Files in the File Handling expanse of the Preferences dialog box.

Salvage in JPEG format

You can use the Save Equally command to save CMYK, RGB, and grayscale images in JPEG (*.jpg) format. JPEG compresses file size by selectively discarding data. Y'all can likewise relieve an epitome as 1 or more than JPEGs using the File > Export > Salvage For Web (Legacy) command.

JPEG supports only 8-bit images. If you salve a xvi-bit prototype to this format, Photoshop automatically lowers the fleck depth.

To quickly save a medium-quality JPEG, play the Relieve As JPEG Medium action on the file. Y'all tin admission this action by choosing Product from the Actions panel card.

  1. Cull File > Save As, and choose JPEG from the Format card.

  2. In the JPEG Options dialog box, select the options you want, and click OK.

    Matte

    Offers matte colour choices to simulate the appearance of background transparency in images that contain transparency.

    Image Options

    Specifies the image quality. Cull an option from the Quality menu, drag the Quality popular-upwards slider, or enter a value between 0 and 12 in the Quality text box.

    Format Options

    Specifies the format of your JPEG file. Baseline ("Standard") uses a format recognized by most spider web browsers. Baseline Optimized creates a file with optimized color and a slightly smaller file size. Progressive displays a series of increasingly detailed versions of the prototype (yous specify how many) as information technology downloads. (Not all web browsers support optimized and Progressive JPEG images.)

    Some applications may non be able to read a CMYK file saved in JPEG format. As well, if you find that a Java application can't read a JPEG file, endeavour saving the file without a thumbnail preview.

Save in PNG format

You can use the Salvage As command to save RGB, Indexed Color, Grayscale, and Bitmap mode images in PNG format.

  1. Choose File > Save As, and cull PNG from the Format menu.

  2. Select an Interlace choice:

    None

    Displays the image in a browser simply when download is complete.

    Interlaced

    Displays low-resolution versions of the image in a browser equally the file downloads. Interlacing makes download time seem shorter, just it as well increases file size.

You can export artboards, layers, layer groups, or documents as JPEG, GIF, or PNG images. Select the items in the Layers panel, correct-click the pick, and and so select Quick Export or Consign As from the context menu.

Save in GIF format

You tin can use the Save Equally command to save a Photoshop document with one or more frames as animated GIF.

  1. Cull File > Save Equally, and choose GIF from the Format bill of fare.

  2. Specify options in the GIF Relieve Options dialog.

    GIF Save Options dialog

    GIF Relieve Options dialog

Save in Photoshop EPS format

Virtually all page-layout, word-processing, and graphics applications accept imported or placed EPS (Encapsulated PostScript) files. To print EPS files, yous should utilize a PostScript printer. Non-PostScript printers will print simply the screen-resolution preview.

  1. Cull File > Save As, and choose Photoshop EPS from the Format bill of fare.

  2. In the EPS Options dialog box, select the options you desire, and click OK:

    Preview

    Creates a low-resolution image to view in the destination application. Cull TIFF to share an EPS file between Windows and Mac OS systems. An viii‑bit preview is in color and a 1‑scrap preview is in black and white with a jagged appearance. An 8‑bit preview creates a larger file size than a 1‑scrap preview. See also Bit depth.

    Encoding

    Determines the manner image data is delivered to a PostScript output device. Encoding options are described below.

    Include Halftone Screen and Include Transfer Role

    Control print specifications for high‑end commercial impress jobs. Consult your printer before selecting these options.

    Transparent Whites

    Displays white areas as transparent. This pick is available merely for images in Bitmap manner.

    PostScript Color Management

    Converts file data to the printer's color space. Do not select this pick if you program to place the paradigm in another color-managed certificate.

    Only PostScript Level 3 printers support PostScript Color Management for CMYK images. To print a CMYK image using PostScript Color Management on a Level 2 printer, catechumen the paradigm to Lab mode earlier saving in EPS format.

    Include Vector Information

    Preserves any vector graphics (such as shapes and type) in the file. Notwithstanding, vector data in EPS and DCS files is available only to other applications; vector information is rasterized if you reopen the file in Photoshop. This option is just bachelor if your file contains vector data.

    Prototype Interpolation

    Applies bicubic interpolation to smooth the low-resolution preview if printed.

Photoshop EPS encoding options

ASCII or ASCII85

Encodes if you're printing from a Windows system, or if you experience printing errors or other difficulties.

Binary

Produces a smaller file and leaves the original information intact. However, some folio-layout applications and some commercial print spooling and network printing software may not support binary Photoshop EPS files.

JPEG

Compresses the file by discarding some paradigm data. You can choose the corporeality of JPEG compression from very little (JPEG Maximum Quality) to a lot (JPEG Low Quality). Files with JPEG encoding can exist printed only on Level two (or later) PostScript printers and may non separate into individual plates.

Save in Photoshop DCS format

DCS (Desktop Color Separations) format is a version of EPS that lets you salvage color separations of CMYK or multichannel files.

  1. Cull File > Save Equally, and cull Photoshop DCS i.0 or Photoshop DCS two.0 from the Format menu.

  2. In the DCS Format dialog box, select the options you want, and click OK.

    The dialog box includes all the options bachelor for Photoshop EPS files. Additionally, the DCS menu gives y'all the pick of creating a 72‑ppi composite file that can be placed in a page-layout application or used to proof the image:

    DCS one.0 format

    Creates one file for each color aqueduct in a CMYK image. You can likewise create a fifth file: a grayscale or colour composite. To view the composite file, you must keep all five files in the aforementioned folder.

    DCS two.0 format

    Retains spot color channels in the image. You tin can salve the colour channels as multiple files (as for DCS 1.0) or as a unmarried file. The single-file option saves disk space. You can also include a grayscale or color composite.

Save in Photoshop Raw format

The Photoshop Raw format is a file format for transferring images between applications and computer platforms. The Photoshop Raw format is non the same as camera raw.

  1. Choose File > Save As, and cull Photoshop Raw from the Format carte du jour.

  2. In the Photoshop Raw Options dialog box, practice the post-obit:

    • (Mac OS) Specify values for File Type and File Creator, or accept the default values.

    • Specify a Header parameter.

    • Select whether to salve the channels in an interleaved or non-interleaved guild.

Salvage in BMP format

The BMP format is an image format for the Windows operating system. The images tin range from blackness-and-white (1 scrap per pixel) up to 24‑bit color (16.vii 1000000 colors).

  1. Cull File > Save As, and choose BMP from the Format menu.

  2. Specify a filename and location, and click Save.

  3. In the BMP Options dialog box, select a file format, specify the bit depth and, if necessary, select Flip Row Order. For more options, click Advanced Modes and specify the BMP options.

Salvage in Cineon format (16-bit images but)

RGB images that are 16 bits per channel can be saved in Cineon format for use in the Kodak Cineon Movie Arrangement.

  1. Choose File > Salve Every bit and choose Cineon from the Format menu.

Save in Targa format

The Targa (TGA) format supports bitmap and RGB images with 8 Bits/Channel. It is designed for Truevision® hardware, but it is also used in other applications.

  1. Choose File > Save As, and choose Targa from the Format carte.

  2. Specify a filename and location, and click Salve.

  3. In the Targa Options dialog box, select a resolution, select the Shrink (RLE) pick if you desire to compress the file, and and so click OK.

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Source: https://helpx.adobe.com/photoshop/using/saving-files-graphics-formats.html

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